Make even
When a long paragraph is divided into more than one taking of copy, the compositor setting the first portion is told by the one that follows him to “end even.” If, however, he cannot conveniently do so, he has to “make even” by overrunning a few lines of the second take.
Make even
When a long paragraph is divided into more than one taking of copy, the compositor setting the first portion is told by the one that follows him to “end even.” If, however, he cannot conveniently do so, he has to “make even” by over running a few lines of the second take.