Way back in 2014, a Dutch manuscript from about mixing watercolors from 1692 made a splash in the blogosphere, because while it was centuries old, few had given it much attention and it was such a beautifully preserved thorough account of how watercolors were mixed back then. Ever since then, I thought it had potential as a fun project but avoided creating one due to language barriers and other reasons that turned out to be unfounded.
The digital edition of Iconographic Encyclopædia from 1851 was by far, the largest and longest project I’ve undertaken. Comprising 500 plates, more than 13,000 illustrations, 1.6 million words, and spanning 13 months, it was a wonderful exercise in creativity and patience.
Not many people read a dictionary cover to cover, let alone analyze every word, but I did and found it fascinating. During research phases for my past restoration projects, I often came across a surprising number of antique dictionaries and always overlooked them. For this project, I actively sought out an interesting one to explore and ended up finding two to create A Brief Visual Exploration of A Dictionary of Typography.