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I love transit data. After creating projects based on transit colors, stations, and lines, I figured it was time to create one based on the parts between the stations. The result was time-consuming but very interesting.
I still can’t read music but I can parse it a lot more efficiently now. Thanks to the help of the good folks at MuseScore, creating new editions of Off the Staff is now much more streamlined. Since my first attempts at visualizing music, I learned of new methods for making the images and even how to animate them.
Generating color palettes of more than 4,600 covers of The New Yorker was a challenging task but when I get an idea stuck in my head I stubbornly like to see it through. What follows is a breakdown of how I made my Color Palettes of The New Yorker project including early ideas, methodologies, and technical details.